ELLEN - THE PUPPY EPISODE
4th season 22nd episode aired 30 Apr 97 on ABC.
TRANSCRIPT
CAST (in order of appearance)
Paige Clark ........................ Joely Fisher Spence Kovak ....................... Jeremy Piven Joe Farrell ........................ David Anthony Higgins Audrey Penny ....................... Clea Lewis Ellen Morgan ....................... Ellen DeGeneres Richard ............................ Steven Eckholdt Susan Richmond ..................... Laura Dern Waiter ............................. Patrick Harrigan Therapist .......................... Oprah Winfrey Clerk 1 ............................ Billy Bob Thornton Customer ........................... Jenny Shimizu Clerk 2 ............................ Demi Moore Checkout clerk 1 ................... (?) Checkout clerk 2 ................... Gina Gershon Bagger ............................. Dwight Yoakam Barrett ............................ Jack Plotnick Janine ............................. k.d. lang Woman 1 (at 'Little Frida's') ...... Jorjan Fox Woman 2 (at National HQ) ........... Melissa Etheridge
I. ELLEN'S APARTMENT. Paige, Spence, Joe, and Audrey sitting in the living room. Ellen is in the bathroom.
AUDREY
Ellen! You're going to be late for your dinner date with your old college friend Richard!
JOE
I can't believe it.
PAIGE
What, that Ellen has a date?
JOE
No, that she went to college!
SPENCE
I think she's been in there forever.
PAIGE
(yells)
Ellen, are you coming out or not?!
JOE
Yeah, quit jerking us around and come out already!
ELLEN
(peeking out of the bathroom)
What is the big deal, I've got a whole hour.
COMMERCIAL BREAK
II. Ellen and Richard at a table in the HOTEL RESTAURANT.
RICHARD
So that was two years ago. So then I did the weather in St. Paul, and basically my job was to tell people how many seconds they could be outside before their skin froze.
ELLEN
Okay, and then how exactly did that qualify you to do the news in Pittsburgh?
RICHARD
Who said I was qualified?
ELLEN
Look at you: TV Reporter!
RICHARD
Not look at me, look at you: Bookstore Manager!
ELLEN
It's amazing, we're both doing what we always wanted to do. Well, except for me...
RICHARD
You know, Ellen, if it weren't for you I wouldn't be a reporter.
ELLEN
That's right, if it wasn't for me, you'd be a senator. Remember how I said: Lower your sights!
RICHARD
This is so amazing. We're just sitting here talking to each other like it was yesterday. I mean, how long has it been?
ELLEN
Well, yesterday, when I picked you up at the airport.
But before then that, five years. We look great.
RICHARD
Are you kidding? We're adorable.
Susan approaches the table.
ELLEN
Oh, here comes somebody to adore us right now.
SUSAN
I sort of interrupt, or am I interrupting - it looks like you finished dinner, so I guess I'm not interrupting, but actually you were still talking, so technically I am interrupting, but now I'm talking so long that I should have just originally interrupted. Nice sweater!
ELLEN
Thank you. Who are you?
RICHARD
Ellen, this is Susan Richmond, my producer.
ELLEN
Hi. Ellen.
SUSAN
Yeah, Ellen, wow, I heard so much about you from Richard, he talks about you all the time, sometimes I have to say 'Stop! Nobody's paying you to talk about Ellen Morgan.'
ELLEN
(to Richard)
Even if she said that, you're still getting the checks, right?
RICHARD
Yeah.
SUSAN
Richard, I just wanted to tell you, tomorrow's interview has been pushed up an hour.
RICHARD
(to Susan)
Does that mean it's an hour earlier or an hour later?
ELLEN
I guess that's why you are the producer and why you are the reporter.
RICHARD
I was joking, I know what pushed up means?
(low voice, to Susan)
It's earlier, right?
ELLEN
(to Susan)
Hey, you just can't compliment somebody and leave, sit down and have dessert!
SUSAN
Well, I haven't had dinner, so well, sure. Just keep talking as you were before, pretend I'm not here.
ELLEN
OK.
RICHARD
So tell me about the bookstore, I mean it sounds great.
Susan takes some parsley from Ellen's dish.
ELLEN
Well, it's amazing, my parsley is just disappearing like just... That is the strangest thing! What...
(to Susan)
I'm pretending like you're not here.
SUSAN
Who are you talking to, I'm not here.
RICHARD
That's funny.
SUSAN
(picks an eyelash from Ellen's face)
You got a little eyelash right here, going to make a wish?
ELLEN
OK.
Waiter comes with coffee.
WAITER
Would you like some coffee?
ELLEN
That was it, that's amazing! That was so fast!
RICHARD
You wasted a wish on coffee?
SUSAN
Hey, it's OK, I'm sure she can wrestle up another one.
ELLEN
Yeah, I'll get you some scrambled egg. Au, that's not loose.
SUSAN
Sorry.
III. Richard, Ellen and Susan in the HALLWAY on the way to their rooms.
ELLEN
I love that part. Yeah, but you know the movie I really love is 'Sling Blade'.
SUSAN
(imitating Billy Bob Thornton in 'Sling Blade')
'Mh. I reckon I [?] Mmh.'
ELLEN
(with SUSAN joining in)
'I call it a sling blade, most people call it kaiser blade, I call it sling blade, shaped kind of like a banana. Mmh.'
You love how he said banana?
SUSAN
Me too.
RICHARD
I take it somebody in the movie talks like this?
ELLEN and SUSAN
No.
SUSAN
(saying goodbye to Ellen)
It was so great meeting you!
ELLEN
Me too, I'm glad you staid for dessert.
SUSAN
Yeah, me too, thanks. Bye.
(kisses Richard goodbye)
See you later.
ELLEN
Bye.
RICHARD
Bye.
SUSAN
Nice meeting you.
ELLEN
Hey, you too. Really cool.
SUSAN
Yeah, funny.
IV. Ellen and Richard sitting on the couch in RICHARD'S HOTEL ROOM. Ellen drinks from a bottle of juice.
RICHARD
How about the guy you used to go out with? The guy who used to sit in trees and cry?
ELLEN
Spliff was a poet.
What about Debbie? She had that laugh, that
(makes a snoring laugh)
RICHARD
She had asthma.
How about you're boyfriend, Mr. Feeldis?
Richard gets up, bends his arm and feels his biceps, imitating 'Mr. Feeldis'.
RICHARD
'Feel dis, Feel dis!'
It would have made sense if the guy weren't dumb and he weighed what, a hundred and twelve pounds?
ELLEN
Yeah. He loved me. How many people are going to run out in the rain and get me vanilla pudding.
RICHARD
I would. Maybe.
(Ellen laughs)
How much rain are we talking about?
ELLEN
See, if you have to ask you've answered my question.
Boy, Susan seems great.
RICHARD
Yeah, I don't know what I would do without her.
Find another producer, I guess.
ELLEN
I envy you guys. I mean, what a job. Every day it's something different, one day it's a whale getting washed up on a beach, next day it's cloning, next day it's two whales getting washed up on a beach, you can only save one, you don't know which one is the original...
RICHARD
Oh, Ellen, I've forgotten how much fun you are.
ELLEN
Yeah, me too. I'm fun.
RICHARD
I've wasted so much time dating, you know, models and actresses, I probably should have just been dating someone like you.
ELLEN
Thank you?
RICHARD
C'mon, you know what I'm trying to say. It's just that you're smart, you're beautiful...
(puts his head on Ellen's shoulder and strokes her arm)
Besides, I just feel so comfortable with you.
ELLEN
(with an uneasy look)
Yeah, that's how I'm feeling with you. If there's one thing I'm feeling right now it's comfortable.
RICHARD
So you're seeing anybody right now?
ELLEN
Me? No. Not now. Not for a couple of ... er ... Not now.
RICHARD
Me neither.
ELLEN
Ha, how about that.
RICHARD
Oh, I've forgotten how great you smell.
ELLEN
You know, Richard, it's been a while since we've seen each other - and we all know where smelling leads...
I don't think that we should rush into anything.
RICHARD
Oh God. I'm an idiot.
ELLEN
No, no.
RICHARD
I feel like I've crossed a line.
ELLEN
No, no, what's a line, it's just the shortest distance between two points which is from here to the door which is where I'm going to go. I'm going to... It's OK.
RICHARD
Can I call you tomorrow?
ELLEN
Yes, call me tomorrow, why not, I mean, good that we're friends, because it could be awkward.
It's a ... , it's not ...
(Ellen's having problems with the security lock on the door, jerks at the door a couple of times before she flips open the security bar)
All right then. Goodbye.
RICHARD
Bye.
V. HALLWAY.
ELLEN
Nope, not awkward at all.
Susan happens to come by with a bucket of ice cubes and hears Ellen talk to herself.
SUSAN
Who are you talking to?
ELLEN
(looks around for somebody)
You?
SUSAN
Well, did we just finish up the conversation or do you want to continue it into my room?
I got ice!
ELLEN
Oh, all right then.
VI. Ellen follows Susan into SUSAN'S HOTEL ROOM. The music is playing.
SUSAN
So, you want to split a five-dollar-soda, my treat?
ELLEN
No, actually I just had an eight-dollar-bottle of pineapple juice with Richard.
Your room is exactly like his.
SUSAN
Have a seat.
Susan and Ellen inadvertently try to sit on the same side of the couch.
ELLEN
Oh, sorry. Why don't you sit over there.
SUSAN
OK.
ELLEN
I love this song.
SUSAN
Me too, John Lee Hooker is ...
ELLEN and SUSAN
(in sync)
... so, so cool
SUSAN
I love him, I saw him in concert. He is a god.
ELLEN
Yeah, yeah. Me too. I mean, I'm not a god. I saw him actually in New Orleans at the Jazz Fest.
SUSAN
Oh my god, I love the Jazz Fest. I sold Crawfish at the Jazz Fest.
ELLEN
Wait a minute. I bought Crawfish at the Jazz Fest. Were you a sixty year old black man?
SUSAN
That was me!
So weird, we're so alike.
ELLEN
I know. It's really strange. I've never met anybody that I, like... it's like I'm looking in a mirror, like, I mean a fun house mirror where I'm taller and thinner, but ...
SUSAN
Well, you seem more relaxed than out in the hall.
ELLEN
Yeah. I don't want to talk about that.
SUSAN
OK. So, tell me...
ELLEN
(interrupts)
Richard came on to me when I was in his room.
SUSAN
Really?
ELLEN
Yeah. Really. Ough.
How weird. I mean, I've known him for so long. I mean he's so great, he's so smart and funny and he's gorgeous, I mean he's everything, he's perfect. And I, why am I not interested?
SUSAN
(laughs)
I can't imagine!
ELLEN
Did you ever go out with him?
SUSAN
(surprised)
No, Ellen...
ELLEN
No, office romance, that's a bad idea I guess.
SUSAN
No. I don't date men.
ELLEN
Oh.
(pause)
Why?
SUSAN
I'm gay?
ELLEN
(getting more and more uncomfortable)
You're gay? Oh. How about that. Gay. Good, good. I didn't, I didn't, I ... That's - good for you, of course, why wouldn't you be gay.
SUSAN
Wow, I thought you knew.
In fact I thought you were gay, too.
ELLEN
You thought I was gay? Why would you think I was gay?
SUSAN
Oh, wow, sorry, I just kinda got that vibe...
ELLEN
(gets up and goes to the bar)
Vibe? Like a 'gay vibe'? Like I'm giving off some kind of gay vibrations? GAY!
(Ellen puts loads and loads of ice into a glass)
Yeah, that's funny. No, I think what you're sensing is a very, very strong 'I like men'-vibe and it's throwing you a little bit, so, you know, you're confused about that.
SUSAN
Ellen, ehm, the ice...
ELLEN
Ice. Yes. I know. Heterosexuals like ice.
SUSAN
Wow. I'm really sorry.
ELLEN
(striking a very 'macho man' pose, chewing on an ice cube)
You know it's funny, because I think I know what's going on, it's not enough for you to be gay, you gotta recruit others, you know.
SUSAN
Yeah, I'll have to call national headquarters and tell them I lost you.
Damn, just one more and I would have gotten that toaster oven.
ELLEN
What is that? Gay humor?
'Cause I don't get it. That's how un-gay I am.
SUSAN
I've really made you uncomfortable.
ELLEN
No, no. You know what it is? You are wrong. And that's all, so... You could be wrong, people are wrong. I'm going to get going. No big deal. So...
Ellen, again, has problems with the door lock and gets nervous and backs off against the door as Susan approaches her to flip over the security bar.
ELLEN
OK, all right. I'll see you later.
SUSAN
Bye.
Ellen closes the door behind her.
Knocking at the door. Susan opens, Ellen's hand comes in with the glass full of ice cubes. Susan takes it.
VII. HALLWAY.
ELLEN
I'll show you who's gay.
(knocks on Richard's door.)
RICHARD
(opens the door, surprised)
Ellen!
(Ellen grabs him and kisses him passionately)
I thought you didn't want to rush into things?
ELLEN
That's why I left for a minute.
She pushes him into the room, still embracing him, and closes the door with her foot.
COMMERCIAL BREAK.
VIII. Ellen comes into the BOOKSTORE. Joe and Audrey, Paige and Spence are all there.
ELLEN
Morning!
PAIGE
So - how was dinner with Richard?
ELLEN
Oh, it was great. We had dinner at the restaurant in his hotel.
PAIGE
Oh, how was that, 'cause I heard the rooms aren't that great there.
ELLEN
No, they're nice, they're big and they're actually...
PAIGE
(interrupts)
Wait, what? I'm sorry, you went back up to his room?
ELLEN
Yeah.
AUDREY
Details, please.
SPENCE
(getting up from the stool to leave)
Spare the guys - guys aren't interested in girl talk. Am I right, Joe?
JOE
Right on!
SPENCE
You girls can continue your little gab session without us.
Spence leaves, Joe turns to Ellen.
JOE
So you had dinner with Richard, and...?
ELLEN
Well, we went back up to his room so we could continue our ... 'talking'.
AUDREY
Ellen, you didn't!
ELLEN
Oh, didn't I.
JOE
No!
ELLEN
Yeah.
JOE
Get out!
ELLEN
Anyway. So we go into his room...
CUT TO previous night at RICHARD'S HOTEL ROOM, Ellen and Richard are kissing in the bedroom.
ELLEN
Oh. Men, men. Why do I love men so much.
Ellen throws Richard onto the bed and jumps on top of him.
CUT BACK to the BOOKSTORE.
PAIGE
You said that?
ELLEN
Yeah, you know, cause I was just so turned on from him being a man and me ... not being one?
CUT TO RICHARD'S HOTEL ROOM.
ELLEN
Show me the money, baby!
(She rips his shirt open)
CUT BACK to BOOKSTORE.
JOE
'Show me the money'?
ELLEN
I had seen Jerry Maguire the night before, so stop interrupting, anyway about two hours later...
CUT TO RICHARD'S HOTEL ROOM. Ellen and Richard under the blankets.
ELLEN (V.O.)
We're lying in bed and enjoying a well earned smoke.
They smoke.
AUDREY (V.O.)
Ellen, you don't smoke.
Richard and Ellen flip away the cigarettes.
ELLEN (V.O.)
All right, all right, we were ... chewing gum.
They each put a gum strip into their mouths.
RICHARD
Ellen, that was incredible. Your passion knows no bounds. What's you're secret?
ELLEN
I guess I'm just a sucker for man-woman-sex.
RICHARD
I love you.
ELLEN
Ssh! Don't speak. I want you again. I want you in every room of this hotel.
RICHARD
There are over fourteen hundred rooms in this hotel!
ELLEN
Well, then I suggest less talkin', more lovin'.
(She leans over and kisses him.)
CUT BACK to the BOOKSTORE.
PAIGE
Unbelievable!
AUDREY
Awesome!
JOE
'Man-Woman Sex'?
IX. At Ellen's THERAPIST'S.
THERAPIST
So, Ellen, do you want to tell me what really happened between you and Richard last night?
ELLEN
OK. I was kissing him and pushing him towards the bed...
CUT TO previous night at RICHARD'S HOTEL ROOM
ELLEN
Men, men, why do I love men so much!
She throws Richard on the bed who falls off the other side and lands on the floor.
RICHARD
Hey, hey, this is great, this is great, but maybe we should just take things a little slower.
ELLEN
Why? I want you, you want me - let's get it on!
Show me the money!
(she tries to rip his shirt open, but it won't, so she tries to bite off the buttons)
Show me the ...
CUT BACK to THERAPIST'S.
THERAPIST
'Show me the money'?
ELLEN
Didn't anybody see 'Jerry Maguire'?
THERAPIST
Then what happened?
ELLEN
Well, OK, then cut to fifteen minutes later...
CUT TO RICHARD'S BEDROOM. Richard is lying on the bed, bare chest, Ellen is sitting on the edge of the bed, fully dressed, looking very frustrated. A long, uncomfortable silence.
ELLEN
I'm sorry, Richard, this has never happened to me before.
RICHARD
It's okay. It happens. You are probably just ... tired.
CUT BACK to THERAPIST'S.
THERAPIST
So you didn't sleep with him?
ELLEN
Not even close.
But I lied to my friends and I told them I did.
THERAPIST
So it's easier to tell your friends what they want to hear?
ELLEN
Finally, so they have something to work with.
So that's basically it. You know, no major problems, nothing pressing.
What kind of vibe do you get from me?
THERAPIST
I'm sensing a little tension?
ELLEN
That's right, tense, tension, I have tension. You can read vibes. Yeah. Good. It's no wonder you have a degree on your ... You do have a degree, don't you? Oh, Yale. Couldn't get into Harvard, ha?
THERAPIST
You made that same joke last session, Ellen.
Is there something you want to talk about?
ELLEN
Well, as a matter of fact, yes. You know what I hate? I'll tell you what I hate. I hate when people make assumptions about you, you know? Especially when that 'you' is me. It's not like I haven't had boyfriends, you know, just cause I don't happen to have a boyfriend right now, you know? I'm choosy, what's wrong with that. If I wasn't choosy I'd be Mrs. Larry Gladstone, wife of my eighth grade boyfriend.
THERAPIST
There is nothing wrong with being choosy, Ellen.
ELLEN
Right. Exactly. And it's not like I'm looking for perfection, you know, I just want someone special, someone I click with.
THERAPIST
And obviously you didn't click with Richard?
(Ellen shakes her head)
Has there ever been anyone you felt you clicked with?
(Ellen looks up)
And what was his name?
ELLEN
Susan.
X. ELLEN'S APARTMENT. Spence and Paige are sitting on the sofa. Ellen comes through the front door.
SPENCE
Hey, you've got a message from Richard on your machine.
Ellen operates the answering machine.
RICHARD
(from the machine)
Ellen, hi, it's Richard. We have to cancel tonight. I have to take an eight o'clock flight to Pittsburgh, a baby panda was born, I'm assuming at the zoo? Sorry I missed you. Bye.
PAIGE
Mh, why do all the good ones always live out of town.
SPENCE
Thanks.
ELLEN
Hey you guys. Let me run something by you, quickly. If you were me and you, I mean me, were to say something to someone, but you, I mean me, ...
PAIGE
Ellen - we know how to play 'if you were me'.
ELLEN
Oh, good. OK. So, you want to say something to someone but you're afraid and then you find out that this person is getting on a plane so you're never going to see the person again so it seems stupid, you know, not to bare your soul, so it's almost like doing nothing, so what do you think, should I do nothing or should I do 'nothing'?
SPENCE
Maybe I don't know how to play 'if you were me'.
ELLEN
See, you are me, right? ...
PAIGE
Ellen, go to the airport.
ELLEN
Yeah.
(She heads for the door.)
One more thing: If you were me, would you take La Cienega or the 405?
PAIGE
Ellen, go!
XI. The AIRPORT, at the gate for the flight to Pittsburgh.
RICHARD
(sees Ellen)
Ellen!
What are you doing here? You didn't have to come all the way over here just to say goodbye?
ELLEN
Oh, yes I did, yeah. Cause otherwise I wouldn't be able to give you ... er ... to give you this.
(Hands him some chewing gum)
Gum. You know, it's for on the flight, you know, the popping and everything, so you've got to have gum, so I should probably give some to Susan too, where is she?
RICHARD
She'll be right back.
You know about last night...
ELLEN
I'm sorry, it was me, I'm sorry...
RICHARD
There is just so much I want to say...
ELLEN
Well, you know what I do when I have a lot to say, I just put it all down in a letter, because, you know, the emotion, and it's better that way, and that's what I'm going to do, I'm going to write you a letter with everything and ... besides; I'll always be the girl you didn't sleep with, which makes me special.
RICHARD
So I guess we'll always NOT have that.
Can I call you?
ELLEN
Yeah, not if I call you first.
All right. Bye.
Susan comes up and waves Richard goodbye. Ellen goes over to Susan.
ELLEN
Susan. Hi.
SUSAN
Hi.
ELLEN
Can I talk to you just quickly before you leave...
SUSAN
No, you know, listen...
ELLEN
No, no, no, please let me just talk, just... please...
SUSAN
OK.
ELLEN
You know how you said in the room, you know, that you thought, maybe I was, you know, and I said, 'no, no, no, no', well, I was thinking about it, and I think that maybe I am, er, I am ... I guess what I'm trying to say is ... I did get the joke about the toaster oven.
SUSAN
Are you saying what I think you're trying to say?
ELLEN
What do you think I'm trying to say?
SUSAN
Oh, I'm not going to say it again and be wrong.
ELLEN
(walking over to an empty counter, turning her back on Susan)
No, you're not wrong. You're right. This is so hard. But I think I've realized that I am ... I can't even say the word. Why can't I say the word, I mean, why can't I just say ... I mean, what is wrong, why do I have to be so ashamed, why can't I just see the truth, I mean, be who I am, I'm thirty-five years old... I'm so afraid to tell people. I mean, I'm just...
Susan...
(Ellen turns back towards Susan, putting one hand on the counter)
I'm gay.
Ellen has by accident put her hand on the switch for the public address system, so those last words were broadcast for everyone at the gate to hear.
"Why can't I say the word" (.wav, 390k)
ELLEN
That felt great. That felt so great. And it felt ... so loud.
Well. I guess you have to get on the plane, don't you.
SUSAN
No.
ELLEN
What?
SUSAN
Oh, I'm not leaving for another three days. I've got a lot of work to do here.
So you want to get some coffee or something?
ELLEN
Yeah. OK, I guess, sure, OK.
Ellen follows Susan out with a big smile.
COMMERCIAL BREAK
XII. DREAM SEQUENCE: GROCERY STORE
ELLEN
(moving through the aisles)
Excuse me, how much are those melons?
CLERK 1
(clears his throat, making it sound like Karl Childers in 'Sling Blade')
I'm sorry, I had something caught in my throat. Generally they're 89 cents a pound, but we're running a special this week for lesbians, 59 cents a pound. You want to stock up.
P.A. (V.O.)
Attention shoppers! Red tank special in aisle two, gay woman in aisle five.
Ellen sees that she is in aisle five.
CUSTOMER
I think he means you.
SUSAN
(comes by, holding two melons in front of her chest)
Ellen! Did you see their having a special on melons?
CLERK 2
Excuse me, Miss. Would you like to try our new granola bar, they're the perfect snack whether you're on the go or in the closet.
CHECKOUT CLERK 1
Ellen! Ellen! Over here.
A sign above the register says 'Five lesbians or less'.
Ellen moves to another checkout.
CHECKOUT CLERK 2
That'd be a lesbian twenty-nine.
ELLEN
Excuse me?
CHECKOUT CLERK 2
Eleven twenty-nine.
Please.
ELLEN
OK.
BAGGER
Would you like paper or plastic, Ma'am?
ELLEN
Paper. 'Ma'am' - that's nice to hear. Thank you very much.
Thanks.
BAGGER
Ma'am, you need some help loading that in your gay car?
XIII. At Ellen's THERAPIST'S.
ELLEN
So, do you think that dream means anything?
THERAPIST
Well, let me go out on a limb here.
Yes. Have you had this dream before?
ELLEN
Oh, no. Usually I'm at the hardware store having lesbian keys made up.
THERAPIST
Ellen, if you keep this to yourself, you're just going to continue to have these dreams and then it's going to show up in your waking life as these little clues that get more and more obvious ... and eventually tiresome.
ELLEN
That makes sense.
THERAPIST
So tell me, when did you first realize that you might be gay?
ELLEN
With Susan, I mean, that's the first time, absolutely, that's the first time I've ever felt this way.
THERAPIST
So what do you think ...
ELLEN
(interrupts)
Well, except for also freshman English. We were reading the works of Gertrude Stein.
THERAPIST
So that naturally brought up all these issues and ...
ELLEN
No, actually the girl sitting next to me brought up all these issues.
THERAPIST
So, OK, that was the first time ...
ELLEN
Wait a minute, no, no, actually in junior high I really liked this girl a lot that worked at the snack bar at the roller ring, but I kind of liked her because she gave me free curly fries.
I guess it's been going on for a while.
THERAPIST
But you've kept it to yourself and never acted on it.
And why do you think that is?
ELLEN
I don't know, I thought if I just ignored it, it would just go away and I could live a normal life.
THERAPIST
And what is a normal life, Ellen?
ELLEN
I don't know. Normal. I mean, just the same thing everybody wants, someone to ... A house with a picket fence, a dog, a cat, Sunday barbecues. Someone to love, someone who loves me. Someone I can build a life with. I just want to be happy.
THERAPIST
And you think you can't have these things with a woman?
ELLEN
Well, society has a pretty big problem with it.
There are a lot of people out there who think people like me are sick.
Oh God, why did I ever rent 'Personal Best'.
THERAPIST
You can't blame this on the media, Ellen.
It isn't going to be easy. No one has it easy.
ELLEN
You don't understand. Do you think I want to be discriminated against? Do you think that I want people calling me names to my face?
THERAPIST
To have people commit hate crimes against you because you're not like them?
ELLEN
Thank you!
THERAPIST
To have to use separate bathrooms and separate water fountains and sit in the back of the bus?
ELLEN
Oh, man, we have to use separate water fountains?
A Joke.
I know, I guess. You have to admit it's not exactly an accepted thing, I mean, you never see a cake that says 'Good for you, you're gay!'. Maybe Western Robertson and Eastern Hollywood.
THERAPIST
OK then, Ellen, I'll say it: Good for you, you're gay.
So what are you going to do now?
ELLEN
I'm going to Disneyland!!!
THERAPIST
You know what I mean.
Are you planning on talking to your friends?
ELLEN
Oh, yes, obviously, of course. I'm not going to stop talking to them just because I'm ... Oh, you mean, talk to them about me being ... Oh. No. That's none of their business, no.
THERAPIST
Well, do you think you'd feel more comfortable talking to your parents?
ELLEN
All right, you win, I'll talk to my friends.
XIV. ELLEN'S APARTMENT. Ellen and Peter in the kitchen preparing food.
ELLEN
Thanks for coming early to help me set up.
PETER
I live to serve.
ELLEN
'Cause there's no way I could have prepared cheese and crackers for seven people all by myself.
PETER
You know what you need? A melon baller.
ELLEN
I'm gay.
(Peter is startled.)
So, where would I find one of those melon ballers?
PETER
(beside himself with joy)
Oh Ellen, at the grocery store, at the grocery store! I'm so proud of you!
(he gives her a big hug)
ELLEN
Thanks. We're still not talking about the melon baller, are we?
PETER
This is amazing, Barrett and I were just discussing this the other day.
ELLEN
You discussed this with Barrett?
PETER
Oh yeah.
ELLEN
What, were you just sitting around sipping international coffees and decided, let's discuss Ellen's sexuality?
PETER
Café Vienna, how do you know?
So, who else have you told?
ELLEN
You're the first.
(Peter is touched)
And my therapist, and Susan, and the people waiting for departing flight 368 to Pittsburgh.
PETER
Susan?
ELLEN
Yeah. The woman I'm in love with.
So, you know, it shouldn't be a big deal telling my friends, you know. The people at the airport took it pretty well.
Oh god, do you think this is a bad idea?
PETER
Believe me, telling people is always hard. I remember when I first told my parents: I sat them down, I said: I've struggled with this for a long time, but this is who I am and I only hope you could be happy for me.
Then the next year when I entered kindergarten they were a hundred percent behind me.
ELLEN
I sure wish I would have realized this when I was younger, it would have been easier.
PETER
Easier, right. It was a real delight being 'Homo-Pete' in junior high.
Ellen, it's never easy.
ELLEN
If that's the official gay welcome speech, you need a happier ending.
Audrey, Paige, Spence, Joe and Barrett enter the apartment.
PETER
Welcome! Welcome all!
There's cheese and melon and Chardonnay.
Ellen is drinking the Chardonnay in big gulps right from the bottle.
Why don't we all give Ellen our attention, I think she might have something she wants to tell us.
Ellen?
ELLEN
OK. All right. I guess the best way to do something like this is just say it, just right out, straight to the point, just come right out and say it, so ... Here it goes ...
You know how you think you are taller than you are? You know, you're saying 'I'm five foot eight', you know, and then you finally meet somebody who is five foot eight and you're like 'You're five foot eight?' ... well, you know. Well, I was at the GAP the other day, ...
AUDREY
Ellen! I thought you had something important to tell us?
PETER
She does!
ELLEN
OK. Well, I've realized recently that I ... have ... strong feelings for someone. Romantic feelings.
AUDREY
Ooh, I've goose bumps.
PAIGE
I think I know where this is going ...
ELLEN
No, I don't think you do.
I feel like I need your support right now.
SPENCE, AUDREY
You got it.
PAIGE
Well, of course we support you. I mean, Richard sounds like a great guy.
ELLEN
Yeah, he is. He's great.
So. So, thanks for stopping by, this was a lot of fun.
PETER
For god's sake, Ellen, tell them you're gay!
(he realizes what he just said with horror)
Oops! Ellen ...
PAIGE
Is that true?
ELLEN
Mh? Oh, that?
Well, it depends on what your definition of gay is, you know, because ...
Yes, I'm ... I'm gay.
PAIGE
But I thought that you and Richard ... you know, the whole 'man-woman-sex' thing ...
ELLEN
Never happened.
JOE
So nobody showed anybody the money?
ELLEN
No, I don't like Richard. I like Susan.
PAIGE
Susan?
SPENCE
Wow.
ELLEN
I know this is a big shock. I really don't expect you to accept it just right away. Take your time. Let it sink in.
AUDREY
Well. I for one think it's super!
(she gets up to give Ellen a hug)
Now, what shall we call you? 'Gay' or 'Lesbian'?
ELLEN
How about 'Ellen'?
AUDREY
OK, Ellen.
PAIGE
(obviously a little uneasy)
Yeah. It's great.
You know, I love learning new things about my friends. And this is new.
ELLEN
OK, so you're OK with this?
PAIGE
Of course I am. You know, it's funny, 'cause the other day I was saying that I don't have enough lesbian friends. And, oh, I saw 'Bound'!
SPENCE
(hugging Ellen)
Ellen, I love and respect whatever you do. And if you want to bring a woman home, I'm cool with that. Very cool.
PETER
See, Ellen, all that worry for nothing.
ELLEN
Yeah, this wasn't so bad after all.
JOE
Ellen.
(hugs her)
I'm happy for you.
ELLEN
Oh, thank you, Joe.
JOE
Just one thing: Are you sure this is what you want?
ELLEN
Aren't you sweet. Yes, I am sure, thank you.
JOE
(turns to the others)
OK. Everybody pay up.
Spence gives Joe some money, Audrey and Barrett pay Peter.
SPENCE
Damn.
COMMERCIAL BREAK.
XV. The BOOKSTORE. Ellen shows Susan around.
ELLEN
So, this is the bookstore, and I used to own it, and now I manage it. And some day if I play my cards right I may not even work here.
JOE
Hi, I'm Joe.
AUDREY
I'm Audrey.
JOE AND AUDREY
We're Joe and Audrey.
ELLEN
They are simple folk, but they don't steal.
Joe and Audrey, this is Susan.
AUDREY
We've heard so much about you.
JOE
John Lee Hooker.
AUDREY
It's too bad you have to go to Pittsburgh tomorrow.
ELLEN
Well, thanks for bringing that up.
AUDREY
You two look so cute together.
ELLEN
Audrey, what ... I'm sorry. Why don't you sit down, I'm going to get us some coffee.
SUSAN
OK.
(goes over to the couch to sit)
ELLEN
OK.
What do you think? She's great, isn't she?
JOE
She's great.
Have you kissed her yet?
ELLEN
No, and it's none of your business.
JOE
I'm sorry, that was insensitive.
But you will tell me, right?
ELLEN
Yeah, Joe, that's the plan.
Can you believe that, I'm clicking with somebody, me who's usually clickless.
(she joins Susan)
AUDREY
Joseph! Look! Ellen's normally pasty skin is all aglow with the warmth of a woman in love ... with a woman.
ELLEN
So, tonight for dinner, what I thought ...
SUSAN
(interrupts)
Em, Ellen.
ELLEN
Em, Susan.
SUSAN
I'm in a relationship.
ELLEN
Not with me?
Yeah. Wow. You're in a relationship. Well, of course you are. Why wouldn't you be, I mean, look at you.
Why didn't you tell me you're in a relationship?
SUSAN
I don't know. I'm sorry. I don't know, I thought it would be presumptuous.
ELLEN
Presumptuous. You know, I mean, just say 'WE don't have those curtains at our house' or 'I wished WE lived closer to the beach'. The 'we' would have ... you know, I would have ... I'm no chimp, you know?
SUSAN
Well, I didn't know how you felt till now, so ...
ELLEN
How could you not know? What about when I was leaning against you at the tar pits, did you think I was trying to get a better view of the tar?
SUSAN
I just thought if neither of us said anything we would just have this and ...
ELLEN
So there is this ... there is something, I mean, I'm not alone, there is something here, right?
SUSAN
Ellen. I'm in an eight year relationship.
ELLEN
OK. I understand, yeah. You don't have to say anything, I just want to know that I'm not crazy, you know?
SUSAN
You are not crazy.
ELLEN
Eight years, boy! So it must be getting pretty serious?
(pause)
SUSAN
Well ...
ELLEN
Yeah. You're going to go, aren't you.
SUSAN
That old thing, ha?
ELLEN
Yeah.
They get up.
SUSAN
Wow. This is ... horrible.
ELLEN
Yeah, it is. It's ... horrible. Well.
They hug.
SUSAN
Ellen, I think you are amazing.
(she leaves)
ELLEN
I think you are amazing, too.
XVI. LITTLE FRIDA'S, a lesbian café. Janine is on stage playing the guitar.
JANINE
(sings)
I want a woman in the White House
A mother on the moon
A sister hosting Nightline
It cannot come to soon
No, it cannot come to soon
Everybody sing it loud and proud!
Joe, Audrey, Spence, Paige and Barrett are sitting in a corner.
AUDREY
(stands up, raises her fist and sings along)
So let's join our hands together
And gaze upon the moon
And free as loving sisters
Our time it will come soon
Our time it will come soon.
SPENCE
Wow, what was that all about?
JOE
You should have been here for 'Sister, Sister, Oh My Sister'.
AUDREY
Now you guys remember: when Ellen gets here it is our job to cheer her up because Susan dropped her like a gay hot potato.
PAIGE
I still can't believe that Ellen is gay.
SPENCE
Well, I always thought for a while she might be. Even as a kid, she could throw a football farther than me, you know, climb a tree faster, always beat me at arm wrestling.
JOE
Did you ever think, maybe you were gay?
Peter and Ellen come in and join them.
ELLEN
Hey, Barrett, how are you, good to see you. Paige, Hi!
AUDREY
So, Ellen! What do you think of 'Little Frida's'?
ELLEN
It's cute, I haven't been here before.
PETER
Surprise! It's a lesbian coffeehouse.
AUDREY
You've been living in our world, now we want to experience your world.
ELLEN
Since when did my world become a lesbian coffeehouse?
Janine comes over.
JANINE
Hi! I'm Janine.
ELLEN
Listen, Janine. Hi. I just realized that I'm gay, so I'm not ready yet to start dating or anything.
JANINE
Well, good for you. I'm your waitress.
AUDREY
Oh, oh, Ellen. Your first gay faux pas.
JANINE
Can I get you something to drink?
AUDREY
Oh! What do you people like to drink?
JANINE
Iced tea.
ELLEN
You know, I'm not really thirsty, but thank you anyway.
Janine leaves.
SPENCE
There are a lot of beautiful women in here.
JOE
Yes, it's very fashionable to be lesbian now.
ELLEN
You know, that's pretty much why I did it. It was either that or getting a nose ring. I couldn't decide.
AUDREY
(whispering to Ellen)
Ellen! Eight o'clock! There's a lesbian staring at you.
ELLEN
You know, I must be giving off one of those vibes again. That's what we do, we give off vibrations and then we pick up the vibrations from our gaydar. So I've heard.
PETER
It's true.
The woman at eight o'clock comes towards them.
WOMAN 1
Do you mind if I join you?
SPENCE, JOE and AUDREY
Have a seat!
The woman sits next to Ellen. Then she leans over addressing Paige.
WOMAN 1
So, I haven't seen you here before?
Paige doesn't know what to say.
ELLEN
(smiling)
Well, it's good to see some things never change.
XVII. At the THERAPIST'S.
ELLEN
So you know, even though this whole thing with Susan was kind of heartbreaking, I feel like this tremendous weight has been lifted off of me. For the first time in my life I feel comfortable with myself.
THERAPIST
Ellen, that is wonderful.
ELLEN
Yeah.
So, I guess I'm not going to need you anymore.
But I thank you so much for everything, and take care.
(she gets up to leave)
THERAPIST
Ellen, when do you think you'll be ready to start dating again?
ELLEN
(sits back down)
You're just trying to make more money, aren't you?
COMMERCIAL BREAK
CLOSING CREDITS
XVIII. NATIONAL HEADQUARTERS. A woman is sitting at a desk. Susan and Ellen are there.
SUSAN
Here she is!
WOMAN 2
OK, Ms. Morgan, I have just one question for you: Are you gay?
ELLEN
Yes, yes I am.
WOMAN 2
So you sign right there.
She hands Ellen a stack of forms which Ellen signs.
WOMAN 2
And sign here. And here.
ELLEN
Wow, I didn't know it was so complicated.
WOMAN 2
Congratulations!
Susan! There is your toaster oven!
(puts a Krups toaster oven in front of Susan)
SUSAN
Oh thank you so very much!
__________________
THE END.
Letzte Änderung: 17.1.98
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